English Language & Literature
Welcome to Language & Literature
Recommended Reading
(To stretch you, enhance your learning and broaden your literary horizons…)
General wider reading
Classics
- Homer ‘The Odyssey’ and ‘The Illiad’ (the ultimate Greek adventure)
- Austen, ‘Pride and Prejudice’, ‘Emma’, ‘Northanger Abbey’ (The most accessible Austens)
- Dickens, ‘Great Expectations’, ‘Hard Times’, ‘Short Stories’, ‘A Tale of Two Cities’
- Woolf, ‘Orlando’, ‘To the Lighthouse’, ‘Mrs Dalloway’ (Get to grips with Modern Stream of Consciousness)
- Perkins Gilman, ‘The Yellow Wallpaper’ (Unnerving novella about mental breakdown)
- Hawthorne, ‘The Scarlet Letter’ (Early American novel - adultery and redemption)
- Bronte, C, ‘Jane Eyre’ (Early feminist bildingsroman)
- Bronte, E, ‘Wuthering Heights’ (Classic gothic love-story. Great for understanding narrative)
- Stoker, ‘Dracula’ (The one with the blood sucking vampire…)
- Hardy, ‘Tess of the D’Urbervilles’, ‘Far from the Madding Crowd’ (Bridging the Victorian novel and the modern, sad and beautiful novels)
- Wilde, ‘Picture of Dorian Gray’ (Oh the price of wanting to stay young….)
- Collins, ‘The Moonstone’, ‘The Woman in White’ (Late Victorian mysteries)
- Ed. Heaney, ‘Beowulf’ (one of the earliest recorded written stories)
- Du Maurier, ‘Rebecca’ (Gothic novel)
Classics (some more modern ones…)
- Orwell, ‘1984’ and ‘Animal Farm’ and ‘Down and Out in Paris and London’ (British political novels)
- Huxley, ‘Brave New World’ (Influential novel set in a dystopian future)
- Greene, ‘Brighton Rock’ (Gang violence in Brighton)
- Golding, ‘Lord of the Flies’ (Classic story of what happens when a bunch of boys become stranded…)
- Twain, ‘The Adventures of Huckleberry Finn’, ‘Tom Sawyer’ (Early American stories of childhood)
- Atwood, ‘The Handmaid’s Tale’, ‘The Testaments’ and ‘Alias Grace’
- Hosseini, ‘The Kite Runner’ (Growing up in 1970s Afghanistan - terrifyingly brilliant)
- Barker, ‘Regeneration’ (First in trilogy about WWI)
- Nabokov, ‘Lolita’ (beautiful writing, unpleasant narrative voice…)
- Joyce, ‘Portrait of the Artist’, ‘Dubliners’ (classic Irish fiction)
- Tartt, ‘The Secret History’, ‘The Goldfinch’ (Disturbing and enthralling American novels)
- D H Lawrence, ‘Lady Chatterley’s Lover’ (infamously sexual content….)
Course specific
- Frankenstein
- Stoker, ‘Dracula’ (familiarise yourself with Gothic style)
- Lewis, ‘The Monk’ (unnerving, horrible yet fun Gothic horror)
- Walpole, ‘The Castle of Otranto’ (more Gothic, this one is credited as the prototype of its kind)
- Wollstonecraft, ‘A Vindication of the Rights of Woman’ (Shelley’s mother and a fierce activist)
- Godwin, ‘Caleb Williams’ (Shelley’s father - also a radical political voice of the period)
All My Sons (for 2021)
- Steinbeck, ‘The Grapes of Wrath’ and ‘Of Mice and Men’ (good for American Dream…)
- Tennessee Williams, ‘Cat on a Hot Tin Roof’
The Great Gatsby
- Conrad, ‘Heart of Darkness’ (hugely influenced FSF)
- TS Eliot, ‘The Wasteland’ (a tricky poem, but an important text from the early C20th that influenced FSF)
- Henry James, ‘The Turn of the Screw’ (Early C20th American writer - an unnerving ‘ghost’ story)
Othello (for 2022)
- Bradley, AC ‘Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth’
- Heilman, ‘Magic in the Web: Action and Language in Othello’
- Ed. Honigman, ‘Othello’ Arden Shakespeare (the introduction to the Arden edition is excellent)
Recasting texts
- Bronte, ‘Jane Eyre’ with Rhys ‘Wide Sargasso Sea’
- Austen, ‘‘Pride and Prejudice’ with Baker, ‘Longbourn’
- Woolf, “Mrs Dalloway’ with Cunningham, ‘The Hours’
- Carter, ‘The Bloody Chamber’ (excellent retelling of classic fairy tales)
- De France, ‘The Lais of Marie de France’ (translations of medieval French poems which turn the tradition of ‘fairy tales’ on their head)
- De Voragine, ‘The Golden Legend’ (retelling of the female Saints stories - some gory bits so be warned!)
Poetry
- Chaucer, ‘The General Prologue’
- Blake, ‘Songs of Innocence and Experience’
- Coleridge, ‘The Ancient Mariner’, ‘Kubla Khan’
- Wordsworth, ‘I Wandered Lonely as a Cloud’, ‘We are Seven’ ‘Composed Upon Westminster Bridge’
- Shelley, ‘To Wordsworth’ (shows how the Romantic poets would interact with each other through their work and be inspired by each other - links to Browning’s ‘The Lost Leader’)
- Byron, ‘Don Juan’
- Keats, ‘La Belle Dame Sans Merci’
- Thomas, ‘Do Not Go Gentle into that Good Night’
- Rossetti, C, ‘Remember’
- Toomer, ‘Cane’ including ‘The Harvest Song’ (Harlem Renaissance literature exploring black identity)
- Hughes, ‘Harlem Sweeties’ (Harlem Renaissance)
- Hughes. T, ‘Daffodils’, ‘Birthday Letters’ (collection written to/for Sylvia Plath)
- Plath, ‘Morning Song’ ‘Ariel’
- Heaney, ‘Digging’, ‘Clearances’ ‘Beowulf’
- Duffy, ‘Little Red-Cap’.
Critical essays
- De Beauvoir, ‘The Second Sex’ (discussion of gender politics)
- Bourke, ‘Dismembering the Male’ (Not as gory as it sounds...gender politics)
- Hornby, ‘Ten Years in the Tub’ (A memoir of reading)
- King, ‘On Writing: A memoir of the craft’ (By the master of horror, Stephen King)
- Sutherland, ‘ Lives of the Novelists: A history of fiction’
- Woolf, ‘A Room of One’s Own’ (reflections on breaking through as a female writer)
Our Favourites
Mrs Balmer’s:
Non-fiction:
- Susan Black ‘All That Remains’ (about death)
- Caitlin Moran ‘How to be a Woman’ (not for the boys.. Or maybe it should be)
- RD Laing ‘Self and others (psychoanalysis for the sixties generation)
- Susan Showalter ‘The Female Malady’ (going mad in Literature)
- Tomalin ‘Samuel Pepys’ and ‘Charles Dickens’ (biography)
- Hermione Lee ‘Virginia Woolf’ (biography)
- Jung Chang ‘Wild Swans’ (amazing multigenerational story about C20th China)
- Beevor ‘Stalingrad’ (WW2 siege)
Fiction
- Kingsolver ‘The Poisonwood Bible’
- Atkinson ‘Life after Life’ ‘Behind the Scenes at the Museum’
- Eco ‘The Name of the Rose’
- Mantel ‘Wolf Hall’ ‘Bring up the Bodies’
- Dickens ‘Bleak House’
- Flaubert ‘Madame Bovary’
- Suskind ‘Perfume’
- Austen ‘Persuasion’
- St. John Mandel ‘Station Eleven’ (great book about a Pandemic virus…)
Mr Smith’s:
- Eric Carle: ‘The Very Hungry Caterpillar’
- Scheffler & Donaldson: ‘The Gruffalo’
- George Orwell ‘Nineteen Eighty Four’
- Cormac McCarthy ‘Blood Meridian’
- Kurt Vonnegut, ‘Slaughterhouse-Five’
- Tom Franklin ‘Crooked Letter, Crooked Letter’
- Tom Franklin ‘Hell at the Breech’
- Philip K. Dick ‘Do Androids Dream of Electric Sheep?’
Poets
- Heaney
- Wordsworth
- Coleridge
- Keats
- Clarke